Texts 2000 - Present Whiteshed Walking Thinking Flesh Pictograph A Pictorial Mind
According to Heraclitus Saramago's Vanity Texts 90's Texts 60's - 80's

Texts 60's - 80's

From the mid-1960's through to the early 80's I was experimenting with many different compositional procedures that included various levels of indeterminacy sometimes combined with close observation of thoughts, perceptions & sensations, and sometimes with "found" texts (either whole or fragmented). These compositional experiments echoed similar activities being pursued within my visual/spatial art practice. In both cases I wanted to make constructions that were analagous to experiences, to the rich sensory/cognitive/imaginative field of MIND. A field in which discontinuity, intuition, the unexpected and arbitrary, were as significant & meaningful as linearity & rationality.

In many ways what I was doing was an extension of my own emergent Buddhist practice grounded in readings of Dogen (particularly his ideas about Genjo koans - the koans of daily living), Alan Watts & John Cage, and my contacts with Soto Zen through Kennett Roshi's lineage and a young itinerant Japanese Soto monk named Maitreya. Maitreya was a visitor to the Zen Meeting Place in Reading, Berkshire during the late 70's - a place, centred on our home, in which we tried to realise our unfolding understanding of Buddhism in our daily lives.

Events Out of Time
"...there is properly no history;
only biography".

- Emerson
The sound of rain falling
outside
	& the death of 
Caesar
	- two events pinned 
on this paper like two
butterflies on a board.
                        
Today, 15th July 1975, I found a few scraps of paper, pages from someone's diary:

28th November 1970: (5.12pm) Something tipped into a dish
19th January 1971: A reflection skids across the wall
26th December 1972: Wind lifts the rhodedendron leaves
28th May 1973: Three of us in a cave, under a blanket, rain pinching our legs, mist settling like a soft white swan
17th June 1974: On the train I sat opposite an old lady who'd been to her brother's funeral: "There were eight of us, now there are six, and one's dying. They're all fading away". All through the journey she spoke slowly against nature and the arbitrary fate of growing old instead of dying.

Where are those days now? What happens to the years? Are they piled & stacked somewhere? Are they kept clean & tidy, or do they grow fat with layers of dust? Does the dust fall on them now, as I write, or does it fall on them then in their own time?
Was it yesterday that disappeared? Or today?
Or does nothing disappear - everything at every moment being re-absorbed by what is?

"Nothing disappears. We're
never limited by time, only
by our understanding"

- Heinrich Wohl
Sentimental Incidents at the Turning of the Year

051172
	Things happen that way. You go through a thicket. You get 
	cut. Your skin shreds. Your bones exposed white as the 
	thigh they inhabit.
	But skin heals. Scars slowly move. Bones hide. Thighs 
	open & are again inhabited.
071172
	Don't blame the hawk laying eggs on clouds.

	Mist merged fused. We aren't. We've lost track. Parts 
	break loose. Looking at ourselves from our Self. One of us 
	stops spinning. Other spins alone, looks out, fragment,
	scrap. Dreams alone for two, thinks up problems for two, is 
	a problem for two. Limb. Splinter. Gone. Lost. Trace. No 
	reply. Grey all over dream. Desert. Deserted.

	Cold heart, cold fire, slow passage through empty rooms.
261272
		Looking up!

AM		firefern
		molehills, molehills, molehills

		dogyap out of sight

		wind lifts darkgreen rhodedendron leaves - 
		lightgreen virgins underneath

		room creaks, Keith brushes his teeth

		thinking of her miles away in every way
		cauterised with fleshsmoke, fleshspoke: "piss on 
		them all, who cares which way we fall
	
		knobs of bracken, the odd loose leaf
	
		all paths lead everywhere

		sit under a tree, try to forget
281272
AM 		looking up the garden
		more molehills!

7.30PM		motorway petroleum city
		Botticelli hair - Venus - Spring  Coils & curls

11.30PM 	dogs howling canine chorus
		mild, even warm, night - some wind, not much
		clothes half out of case, christmas cards on table,
		toothbrush,
		boxes of paper

		after more than the rudimentary mechanics - 
		listening fingering
		caress

		now yelping out there, a puppy perhaps? I wonder 
		if they get scared
		of the dark? monsters? giant collars with false 
		teeth?
291272
AM		peering through condensation into fog, brown tangled 		
		ferns, jutting pines, geese next door
		think I'll take a walk over the hill or go shopping

		tuft of hair spiked on barbed wire jewelled with 
		dew 
		mist in the quarry - bottomless immeasurable 
		overflowing empty

		now shopping - stiff new dungarees!
301272
AM		plastic Christmas tree - real FIR - white smoke
		TICKing clock
		big white sun through silver branches

		dice on the table		ONE   FOUR   
		FOUR
					FIVE   SIX

		wearing new dungarees, water dripping from old 
		jeans on the line
		a time to soak, a time to hang & dry

		sun so bright on wet road I can't look
		shouts at the dog
		almost midday

		and on the same table:
		two bowls with green hyacinths in each, three-piece 
		stainless steel condiment set, rack of table mats, 
		ashtray, Swiss chocolate liqueurs, box of dates, 
		one crisp dead leaf, bottle of liqueur, large vase 
		of tulips & friesias, photo of a dog, souvenir tray, 
		mammoth birthday card from someone sweet to someone dear, 
		medium-sized birthday card, cigarette lighter, two 
		Christmas cards, a small card with holly & candles,
		 a pile of Christmas cards, 
		azelia in a wooden bowl, chlorophytum capense 
		variegatum & poisettia & begonia rex & 
		tradescantia in a hollywood bowl, fatshedera in a 
		pot

		& it's a quarter past midday, time to eat
010173
12.45am. 	clean my teeth, get to bed, New Year's Day already!

Midday		empty bowl, tap on, tap off, bowl overflowing

1.00pm. 	one flapping black leaf on a heavily pruned bush
	
		Keith on his motorbike chased by four dogs round 
		& round the lawn


Charnwood Forest, once
Watching a bee enter the mouth of a foxglove, lips, shivering wings

		Wind touches gravel peak, tips of beeches, strokes 
		the lawn, turns the head of a daisy, enters the beak 
		of a sparrow, curls under the eaves, vibrates around 
		the singing robin & glidesover my skin like the 
		breath of a sleeping dragon

Place	Sense of being at home	Abode	Nest
No paths lead here	A hole in the forest

Rocks coming to rest, granite slabs balanced against each other. 
Rotting blanket tied to sticks covering openings of cave mouth, like 
a loose wrinkled lip. Toothless grotto. Earth womb. Spiders. Half-
digested leaves. Communal industry

To make a den, somewhere to sit & be anything, play ghosts, have 
fears, go bear, cry, howl, tremble at the tilt of sunlight through 
cobwebs & flies' wings

Quarry, no quarry
Trees reclaiming sheer rockfaces. 		Cracked dusty 
belly
Nature dissolves, excavations in rain, seeds, gorse, birch, mosses, 
grass, heather, broom, fern

Skin burning, trees hissing, water bubbling in the stomach of this 
house

Vertigo
Thursday evening
		& the rain falls into Friday
morning, just like snow falls into spring sunshine
						or again
as fish falls into fishing
			so this falls
					headfirst
						into
more than just 
		meaning

Charnwood Forest, again
Bare feet through hillocks of grass, on rock, in birchbark ash, small 
fire, sun through windy banches.

Last few hours of this stay - no end to change, transformations, 
variations of leaf and light - soon roofs, walls, cracks in concrete 
only a few years old, will be dug up and relaid with fresh mix.

		How does broom get its yellow
		from grey rock, dusty soil?

Ghosts rise.   Splintered logs.   Owls nest in my ears, they gaze 
both ways across night spaces between tree and tree. Shrews 
parting blades of grass like oak churchdoors.

No rest between clouds of yellow smoke and blueless hills 
sweating in dusk. Flies with no loss of horizon's speech.

So to the quarry's edge, stars twinkling across its throat.

Rusty old cars, bikes, tin cans, comics flaking every few weeks, 
mass decreasing, giving themselves to the earth which takes like 
it'd never eaten or been kissed before.

And ghosts of suicide rocks have no wings, lie low, spin roots into 
other worlds to trip you, catch you falling nowhere, never saying 
anything save a leaf floating on the moon in a shallow pool.

*
Memories & imaginings: distant train, voice, vehicles, memories of 
friends, students, running in the park, waking up and not getting out 
of bed, sweat, long meetings in a circle slowly traversed by 
sunlight, and here now the closing door, steel buckle, sheaves of 
notes, stooks of fairytales in a field of daydreams, milkmaids 
hitching up cream to their knees, running too fast for anything but 
imagination, nodding head, floating hand, eyes like lighthouses.

Infinity stretches inwards as well as outwards, no centre as well as 
no rim, only turning itself quite still and perfect.


The Dark
"Man is his own star, his own
compass, navigating through his
own shadow, our fatal shadows
that walk by us still."

- Beaumont & Fletcher, Epilogue
to Honest Man's Fortune

"I'm afraid of the dark. The dark is more than darkness, it is as if it were some THING that cast a shadow but was itself a shadow. I've had nightmares all my life. I used to wake up screaming, now I manage to control my fear a little. Going out to the forest I meet the Dark. I walk into him. His shadow is myself. The various parts of his body are the various parts of my response to him. Near his heart the sound of my blood pounding and roaring deafens us both. When I tread on his spine my backbone trembles. At one moment he is a bush, at another he's a biting wind. Sometimes he digs a hole right under me and I fall, at other times he brushes his fingers across my forehead. Sometimes, even in the middle of the day, he visits me - he imitates my mother's voice and calls me when she's not there, he barks like a dog, he runs across the corner of my eye but disappears when I turn to look at him."

Natural Cycle

At the root of it all there's still the whispering crumb of soil, which, flowering, becomes last days of Pompeii, or genius, dead right out of itself, blooms into another Shakespeare.

Hampshire Trainride

Gold mist
Glowing air
Sunlight
suspended
over corn stubble
Moving through geometry of plough
& turf, lapwing cry & engine
rumble

Humming like a frosty wire
stretched between pylons
My mind sits like a spider
in its web
there is no end to what
it spins

What Matters?

It was not where
he stood that mattered
but where
he gazed
embossed in domestic gilt
floral chains, duties, work

- like grey low repetitive hills
stretching apparently to the ends
of the earth but really
to a gap
a break, a river’s
window where grey light
gave way to white

The snow could be seen
even in midsummer
even from the office

The snow was what he stared at

It was the cool light air
and the snow

that mattered

Ocean. Coral. Soul (from Jalalud-din Rumi, Sufi poet, 1207-73)

The night flowers
And in every blossom peace

Sky flames infinite with heart
My dark heart, a hundred sighs

Infinite rider cast in heavenly air
Hangeth in they dust

The dust rose
(Dust is here. Dust hangs dead as dust.
Dust of pain. Death’s dust.
Butterfly dust. Flower dust.)
Into a rose of dust

© 2007 - John Danvers